Provenance:
Estate (Nachlass) of the Artist
Galerie Konrad Bayer, Munich, from whom The Daulton Collection acquired the drawing
References:
See generally regarding Gabriel von Max's interest in St. Cecilia as an artistic subject: Andrea Gottdang, "'Vom Schalle Geweckte Träume,' Gabriel von Max und die Musik," in Karin Althaus and Helmut Friedel, Gabriel von Max, Malerstar, Darwinist, Spiritist (München: Hirmer Verlag, 2010), at pp. 56-63, esp. 61-63.